We started to write down some lines which is what we think at that moment related with Psychoanalytic thinking, we wrote in lines one by one, when we tried to write down we havent though a lot and only read the line before us instead of read all of them, and we found it became very interesting we we read them all together, so we decided to present with those lines.
At the presentation day we also have a video contained our works behind us when we present, and we stood in two corner of the stage and read the lines randomly.
These are all the lines we use for our presentation:
Curious objects
resonate like a fetish of this world and another
This could be
reflective of the aesthetics of anxiety
Obsessive
obsessive obsessive , without an obsession.
Triggered by
unpleasurable tension
Alienation to a
field of sequences
Fissuring the
distribution of the sensible
Once the expansion
of veins start, everything starts to deteriorate and fade
Suggestions of the
body, creating an alternative universe of recognisable objects
The fallacy of
considering two things to be the same merely because they have attributes in
common
They cant choose
when to stop, they can never choose when to stop
Monkeys having sex
transported to another world
The animal body crawls
like my instinct
What is going to
happen to me here?
Is here right now
or did I think it?
It is not the
ceiling that usually exists with the aim of transforming it
Time as movement
within a wave
Comets drop as we
fall unconsciously into bloom
Sinking into the
bouquet, it brings me to my 8 year old self.
In the absence of
clear boundaries, bodily traces are inscribed in the spaces that do not exist.
And it seems
obvious that something should be frightening precisely because it is unknown
and unfamiliar
There must be a
necessity to feel labouring.
But where is the
line between the pleasurable and unpleasurable
But where is the
line…..
where is the line…..
The line widens..
a void of repulsion and desire..we slip in
Where is the
line…..
A barrier between
fragile self and shaming intrusiveness
Watch how things
work then they fall apart
Alone, I am
brought back to her body
It entitles me to
heaped teaspoons of dignity and self awareness
Looking at
something, being encouraged to occupy other ideas and thoughts
The drive to
create is often fuelled by a combination of personal and existential issues
A Negative feeling
arising from the experience of human freedom and responsibility
The responsibility
of the visual provokes bewilderment but holds power in the first instance
Hidden bodily
fluids evoke self-abasement
Despising it as
nonsensical and underestimating its importance
This being a
subjective space
Allows becoming
its author rather than its victim
Creating an
inviting place for interaction
The artists
uncanny fantasy is firmly rooted in their generation
And it will permanently
invalidate their process of recovery
This isn’t about
getting back to how you were before
Emotions in 3D
form
The unconscious
space expands in memory
The motive for
remembering lies in handling
Loosening of
boundaries and ego
Contained in taboos
in one hand and in art in the other
Perversion emerges
when the object of the drive moves from the genitals to other parts of the body
Your shame
confirms my existence as thought
The body universe
starts turning and we feel the truth
But we must
remember, lying is a biological need
The body cannot
suppress the gasping breath of unconscious thought
Video we showed in our presentation
